By
the time that January rolls around, and depending on where you
live of course, if you're like me, you've got a combination of
cabin fever and withdrawal from our beloved hobby. Also, the holiday
season is behind us and we've had about enough of running around.
However, there's still a minimum of three months, and perhaps
as many as five months before we're back on the road. So, what's
to do? Indoor car shows to the rescue and, as we've said before,
thank God for them (is that politically correct?).
Indoor
events, from the largest to the smallest, always generate a
stream of commentary. Either the mix of cars wasn't right, the
price was too high, too many "show" cars, too few
show cars, too many recycled cars (you know - the ones that
you seen a hundred times before). The list goes on. We're an
opinionated bunch for sure.
What
we don't do often is look at it from the promoter's viewpoint.
That is, it's a business and in order to generate revenues from
the gate, they do what they have to do by way of the mix of
rods, trucks, racecars, late model street machines, and of course,
sport compacts. Some of the big "name", North American,
events can exist with a more homogeneous mix but many regional
events, even in large Metropolitan areas, have to resort to
what appears at first to be a weird blend of motorized metal
(and 'glass and carbon fibre and...).
What
does all of this have to do with Speedorama - Toronto? A lot
in fact. It's held in January, it's in a large metropolitan
area, it generates a lot of commentary and the mix is diverse
to say the least. Needless to say, Canadian Rodder attends in
the hope of seeing rods and customs and we did see some. Not
many but what we saw we liked. Nigel Herbert showed his new
Lobeck-built '32 cabriolet, Peter Duff had a neat '64 Dodge
in the show, Chicayne was there (Troy Trepanier built) and we
met the nice guys from Ed Belfour's Carman Custom who had Ed's
nice '39 and a stout, and nicely prepared, '65 Belvedere.
There
was certainly something there for everyone. In some cases, a
satisfying amount but not in our case. But, as I said before,
you gotta do what you gotta do to make the show work. From the
promoter's standpoint, we hope the show was a success because,
regardless of our preference, we would like to see these shows
continue to prosper.